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Thursday, March 30, 2017

Grandmommy's Feather Pillows

The soft clean sheets engulfed my smooth 9 year old legs as they entered my Grandmommy’s bed after my nighttime bath with pink Dove soap on a warm summer’s night in July.  My head hit the soft feather pillow and I scooted in as close to Grandmommy as I possibly could.  I felt safe to be near her in her silky night gown.  After we were settled, she began to tell me her stories.  “These are feather pillows she would say.  They were made from the feathers in Momma’s feather bed. I wouldn’t have any other pillow but a feather pillow,” she would say.  “Whoo, there ain’t nothing like them.  When I was a little girl we didn’t have anything but feather pillows and my Momma got them from our geese.”  She would raise her head up and down and move it around as she spoke as if she had some sort of nervous habit – the pillow conforming back and forth to her head. I didn’t really think anything about it because that’s just what Grandmommy did when she was talking.  I just laid there and listened to her stories that she would tell.  It was our nightly ritual. I learned about the camp meetings that she would go to at the church when she was a little girl.  I learned about the time she burned 2 chocolate pies during the WWII sugar ration; and how she dumped them out in the woods to hide the fact that she had wasted the sugar by burning the pies.  I learned about a side of Frog Jump that I couldn’t experience, but one that I could imagine.  I could imagine it because I was familiar with the place myself.
The comfort of Grandmommy’s pillow next to my side, with her head in it is gone.  A transient moment in my life, defines a memory that remains permanently etched in my mind.  Yet, while the memory remains, the trust that was put into my Grandmommy’s presence in my life slowly begins to fade away as Grandmommy, 87, now suffers from Alzheimer’s disease.  She is no longer near me and I learn that the trust that was placed in my Grandmommy’s company will soon be gone.  The pillows in The Weight of Glory, symbolize a moment of rest; a moment of no fear and complete trust.  The pillow; cast in concrete though freezes a moment in time and captures it permanent.  I trust that the pillow will not change.  It is captured just the way it is.  To last forever.
Cast Concrete Pillows from the Installation, The Weight of Glory, 2017

Thursday, June 30, 2016

Everything that we do is more than what it is.

Anderson Ranch - a place to hone one's artistic skills. In the ceramics program specifically, it is a place where one can sit down at the potter's wheel for the first time to try her attempt to throw the perfect cylinder. A place where even an expert at her craft can be exposed to new ideas and develop existing ones further by being instructed by a new teacher.  This week in the Soldner Studio, it was a place where Suze Lindsay and Kent McLaughlin, a potter couple from North Carolina, taught students from the ages of 88 to 20  how to put a lid on a pot in their course, "Put a Lid on It."  Putting a lid on a pot is not always as easy as it may seem. There are many ways that it can be done. Yet, the challenge is always the same - the fit.  Did you leave enough room for that flange to fit in the gallery after it has been glazed?  Add another level of complication - throw it in an atmospheric kiln and see if that perfect fitting lid still fits. But are these the real reasons that people come to the Ranch?

In talking to a regular Anderson Ranch student - a favorite of mine, Carol, I discovered something special about her take-away from the course.  After talking about a few new favorite discovered glazes, the most important thing that Carol took away from the class and admired most was the way that Suze and Kent interacted with one another. She said that more than technical information, she took valuable life lessons about how we relate to one another. In that moment, I agreed. I said you're right, Carol. Isn't what all of this is about?  It's not just about making pots or working with clay for that matter. It is about something greater.  We do what we do for something else.  That's when I said, "You know, everything that we do is more than what it is."

When an instructor brings an 88 year old student a cup of tea.  When a fellow classmate picks up your lunch plate.  When a fellow intern grabs the other handle of the trash can as his teammate is picking it up to load it into the Mule.  When a studio coordinator adds an extra level of organization to the studio by laying the glaze tests out in a grid by clay body and firing type for the students. When an Artistic Director of 32 years is still hosing out the studio with his interns. These are the things that make a difference. Every little detail. Everything we do from squeeging the floor to grinding a kiln shelf goes into something greater. Each are necessary to get the perfect lid on the perfect pot. The pot is the object that ultimately forms a relationship with an individual.  Yet the pot is only a remnant of what is the most important - the relationship. The relationships that we make are the entire reason that we are even on this planet.

I am describing the relationships that are formed through clay because that is my story. But each of us have our own.  The plumber. The lawn tender. The chef. The janitor. The nurse. Each field does what they do all for people.  The relationships that we form with people through what we do are why we are here. Everything that we do is way more than what that thing is.

Come join the Ranch as it celebrates its 50th Year Anniversary this summer!
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Friday, March 4, 2016

Epiphany - MUD

The path became familiar.  I smelled the breeze.  It was familiar too.  I wanted to go back and as I turned the curve and reached the top of the hill that fixed my eyes on the bottom land that would lead me to my final destination, I went back.  The hat I wore was the same.  I recalled a bicycle wreck that I had as a child going down this hill because  of the orange hat that I wore.  The wind had caught it and as I tried to pull it back, I lost control and wrecked.  That was the same hill.  As I approached the bottom land I saw that the river was high - or had been.  Part of the road was covered with water.  I knew I would find a way to cross it.  I went as far as I could before the water had completely covered the road.  There was no where to cross.  I looked for a log to make a bridge.  There wasn't one to be found.  So I looked to the other side. 
Maybe I can cross over there if I go through the woods a little.  I tried. Nope.  Why didn't I wear rubber boots?  No wonder they were my favorite childhood shoe.  I had walked all that way.  I couldn't go back now.  What would I do? I looked down at my feet and decided the only thing that I could do was take off my shoes and socks and walk through the water and mud.  Fears - they were present.  What if there are snakes?  What if there are sticks that will cut my feet?  Glass? Barbed wire?? Fishing hooks?  Cuckobears?
STOP.  Just do it.
I cautiously stepped into the water that lay before me and surprisingly - it felt good.  Relief.  My senses were alive as the mud squished between my toes.  Forget the nail polish.  I am not sure what I was walking in but it didn't matter. I was going to cross.  The water was slightly warm in some spots as it was a sunny day.  I smelt the mud in the air.  The soft bed of leaves and grass that were beneath my feet felt good too!  I wadded through the water with caution; not knowing how deep the water was in places.  I looked for places where grass peaked through the water to gauge the depth.  I pressed on.  Before I knew it, I was to the other side and there it was.  The River.  The place where I wasn't supposed to go as a child.  Yet, a place that I went anyway.
What is that place for you?
You know we have been called and created to be something greater than we could ever imagine. I can't explain it because is too great to fathom. I am learning that most of us are afraid to do what we have been called to do.  We are too fearful to put our feet in mud - to experience the fullness of the life we have been given.  We stay close to home in our safety net with our shoes and socks on - crew ones at that - rather than jumping out into this life that is unknown.  Yet, I think we have been called to jump out.  We are called to GO.  We are called to embrace who it is that we have been created to be. 
Unfortunately we are most often too scared to figure out just exactly who we are.  We are too timid.  We stay comfortable in what is known and what is expected and we miss the excitement that is in store for us.  Faith requires action, you know?  It requires TRYING.  I am so guilty of not trying at times.  I doubt. I question. I do not trust.  I ask myself if what I am doing is valid.  Is it valued?  Well it most certainly is if it is what I have been called to do.  I want to experience the fullness of this life that I have been given.  I know I am being led. I know that even if I do fail at times, it is all part of the process.  The process that will make me.  I will just get up and continue to follow.  In my human nature I fear, but in faith, I can trust.  I pray that I will go where I am led so that I may experience the life that I have been called to live to the fullest because I am not my own.
If that isn't the good news, I don't know what is!
I think that I should put my feet in mud at least once a week.

And now I know why Mr. Benson said to go jump in the Mississippi River.  I just think that the Forked Deer is better.

Saturday, February 6, 2016

Substance: Faith and Dirt.

If essence means "substance conceived of as an object of understanding and of definition," and substance means, "the structural constitution of a concrete thing," what does it mean when we say faith IS substance?
Thoughts from Umberto Eco on the Aesthetics of Thomas Aquinas paired with my Sunday school lesson on "Faith." (January 16, 2016)
Webster's Dictionary's full definition of substance is: 
  1. 1a :  essential nature :  essence ; b :  a fundamental or characteristic part or quality; c: Christian Science :  god 1b
  2. 2a :  ultimate reality that underlies all outward manifestations and change; b :  practical importance :  meaning, usefulness <the…bill—which will be without substance in the sense that it will authorize nothing more than a set of ideas — Richard Reeves>
  3. 3a :  physical material from which something is made or which has discrete existence ; b :  matter of particular or definite chemical constitution ; c :  something (as drugs or alcoholic beverages) deemed harmful and usually subject to legal restriction <possession of a controlled substance> <substance abuse>
  4. 4 :  material possessions :  property <a family of substance>
This word, substance, carries deep meaning when I really investigate its true definition.  How often  do we use words in a very shallow way or remove them from their original meaning all together?
Having said that, what is the substance, the purest essence, of my home?  The land. Dirt. Or as my friend, Brandon would say, soil.  It has been there since the beginning of time.  It is the land that my great great great grandfather, James Elijah Archer trotted across when he settled in Frog Jump, TN in the late 1800s.  It is where he resided until his death in 1938.  It is were an entire community was born.  It is the land that my entire family has worked on. The dirt that was plowed and gave birth to crops that fed them.  Those people are gone.  I never knew them.  Yet, their legacy lives on in the soil where their earthly bodies now lay.  Their spirits have gone on, but their work has not. It lives on in me and in the dirt.  The dirt of Frog Jump is the substance and essence of my home.
With that, what if I say that faith in Christ is substance?  That is what I believe. 
I am currently working towards using the substance dirt which is the essence of my home to represent the substance of my faith in Christ.
Just the same, the land that was promised to Abraham was a token of his faith.  In my study on Faith by Ron Dunn, the author writes, "When at long last he finally reached the land of promise, the land God had given him for an everlasting possession, Abraham lived as an alien."  He lived as an alien in his own promised land? But see, that land was only a representation of the promise that God made to Abraham which was to have eternal life and dwell with him through faith. 
It is only through faith that I can believe in eternal security through Christ.  The author writes, "That is where faith finds its rest, its promised land; not in the transient blessings of this age, but in the very presence of God.  The faith that pleases God lives as an alien in the land of promise."
The physical and earthly security that land represents for us is parallel to the promise that I have from Christ through my faith in Him.
Dirt represents the substance and the essence of my faith.


Tuesday, January 5, 2016


Evidence. This word keeps coming up in my life today.  It came up in class.  It came up in my Sunday school lesson.  God gave us evidence that He exists.  Faith is not blind.  Biblical faith is very concrete.  I am thankful for God's Word.  Without it, Christians would have no faith.  Like Paul said in 1 Corinthians 15:14, "And if Christ has not been raised, our preaching is useless and so is your faith."  We have no faith without the evidence that Christ lived, died, and rose again.  We know this is true because of God's Word. It provides us with evidence that is concrete. Real life people sharing real life testimonies that paint a picture of what happened.  It is TRUE.  Absolutely true.  And if it is true, we should take God's every Word as fact. 

Wednesday, November 18, 2015

What is art anyway?

Lewis concludes in Chapter 1 of Mere Christianity (1952) with two points, "First, that human beings,all over the earth, have this curious idea that they ought to behave in a certain way, and cannot really get rid of it.  Secondly, that they do not in fact behave in that way.  They know the Law of Nature; they break it.  These two facts are the foundation of all clear thinking about ourselves and the universe we live in (Lewis, 1952, p.8).
Having read that, I start to try and understand what this means to me and my work.  From reading this, it seems as if there is a moral standard/code that we as human beings adhere to - I agree with Lewis.  With that, how does this standard apply to and translate to art?  Is there a standard that we are trying to achieve in making art?  I hear a lot of talk these days about how art can be anything we want.  Is this because there was/is a standard but in our human nature have decided to break the Law of Nature?  Is art supposed to break rules or point to a standard? It is the intent of the artist that matters; which to some extent, I agree.  However, I start to wonder what is art then?  I am interested in having these conversations. We are all getting a Master of Fine Arts degree, but we never talk about this in a real way.  We all just say we make art, but why?  If what Lewis is saying is true, it seems as if there must be some rules about art that we strive to adhere to as well.  However, as he said, it is our choice to adhere to them or not.  If art is a depiction of our values, worldview, etc. what are we communicating?
I am thinking about these topics in what I do.  I strive for my work to adhere to a standard and depict my values and worldview, but how are those things being communicated?  I am asking myself, am I being successful?  I think art should lead viewers to consider something greater than themselves and maybe question their current view of the topic being addressed by the artist.  This is all for a purpose so that we can grow, work together, and come closer to understanding truth in this world.  I do not believe it is relative.
Lewis, C.S. (1952). Mere Christianity. New York, NY:  HarperCollins Publishers.
I will close with a quote from artist Mako Fujimura that I have been thinking about,
"We are today, border-less in more ways than one.  As we have become multi-cultural, we have become "multi-phrenic." There is no true, lasting expression of the sublime in a center-less world.  If there is no center, there is no periphery border in which art can thrive.  Today we need a centralizing vision of our being" (Fujimura, 2007, p.5).
This is an interesting concept - one that I am trying to wrap my mind around.  If there is no center, there are no boarders?  Webster defines border as "a boundary between places" or "an outer part or edge."  With that I ask the question, do we need borders in art?  If we do need borders - why?  If borders are defined by the center, what is the center?  If one says that borders are not necessary, does that mean that a center is not necessary?
Fujimura, Makoto (2007). River Grace. New York: Poiema Press: International Arts Movement. 
Mona Lisa by Leonardo da Vinci (1503-1517)

Monday, November 16, 2015

Bye and Bye

There’s a land that is fairer than day,
And by faith we can see it afar;
For the Father waits over the way
To prepare us a dwelling place there.
In the sweet bye and bye,
We shall meet on that beautiful shore;
In the sweet bye and bye,
We shall meet on that beautiful shore.
 38” x 5” x 22” - Tree Nymph butterfly specimen courtesy of the Florida Museum of Natural History, 23K gold leaf, balsa wood veneer on birch panel, stainless steel pins, brass screws, encased in UV filtering acrylic vitrine fabricated by Faulkner Plastics of Miami, FL
Commissioned by Mrs. Linda Fuchs 
Dasburg President's House at the University of Florida
The title, Bye and Bye is inspired by the cherished hymn, “In the Sweet Bye and Bye”
Excerpt from In the Sweet Bye and Bye by Sanford F. Bennett (1868)